![]() ![]() ![]() Among collectors, pieces created under Husted’s creative direction are of special interest. Joel Philip Myers, who designed for Blenko in the 1960s, brought a sense of whimsy and visual excess to the product line, in keeping with the psychedelic look favored during the period.īlenko Glass still produces many of its classic designs in items ranging from stemware and tableware to decorative objects and ornamental decanters. One of Blenko’s most influential designers, Wayne Husted, who was active from 1953 to ’63, is credited with aligning Blenko’s products with the prevailing mid-century modern aesthetic by pushing the envelope on both form and color, particularly in his wedge-cut and Spool decanters and his Echoes series. The forms Blenko produced during this period followed the contemporary vogue for biomorphism, or organic modernism, which favored rounded and fluid shapes inspired by nature. This began what collectors refer to as Blenko’s “historic period.” A number of Anderson’s designs were honored by the Museum of Modern Art’s Good Design Awards in 1950, and throughout the 1950’s and ‘60s, the company enjoyed robust sales and critical acclaim. In 1947, the company hired as its art director Winslow Anderson, who introduced artful, fanciful and modern vessels and objects in vibrant colors. The company was also commissioned in 1930 to produce a line of reproductions for Colonial Williamsburg. Up until the end of World War II, Blenko’s tableware designs were fairly straightforward, and they sold well at American department such as Gump’s, in San Francisco. Blenko brought local Milton glassblowers into the company to begin producing stem- and tableware, products for which the company, which changed its name to Blenko in 1930, is now best known. ![]() When the Great Depression quelled demand for stained glass, William J. Under the name Eureka Glass, his company began making window glass in 1923, and in 1925, he was joined in the business by his son, William H. His interest in the potential of natural gas to fire glass furnaces led him to Milton, where abundant reserves of the fuel had attracted a pool of skilled glassblowers. Blenko developed expertise in the production of rondels, the round panes used in stained glass windows. Blenko, an English immigrant who was apprenticed to a glassmaker in his native London as a young man. Blenko is known today for the brilliant colors of its glass vessels and objects-particularly those produced in the 1950s and ’60s-which range from jewel-like blues and greens to brilliant reds and yellows. Patrick’s Cathedral and the Washington National Cathedral. Among its many illustrious projects are the stained-glass windows it produced for St. Other factors like condition can affect the perceived value and, thus, the cost of works by Curtis Jeré.Īs you will see on 1stDibs, the imaginative powers of the designers of Curtis Jeré pieces were boundless, and their creations will add a dash of verve in any room.A producer of hand-blown glass since 1893, Blenko Glass is currently headquartered in Milton, West Virginia, where it has operated since 1921. The price of a Curtis Jeré mirror, lamp, wall-mounted sculpture or tabletop sculpture can range from $400 to $12,000, depending on the size, the rarity of the piece, the intricacy of the metalwork and the materials used in its construction. Freiler and Fels had a masterful ability to work with different materials, such as patinated brass and brilliant chrome. The work of Curtis Jeré displays a sense of playfulness and curiosity, while drawing on inspirations and themes that include flowers, discs, geometric forms and animal figures. The pair’s eclectic metalwork has captivated decorative art collectors and interior designers ever since. Fels served as head of design, and Freiler, known for his keen handiwork, was the production chief. ![]() Jeré the "surname" is pronounced with a rising inflection: jhayr-EH - that stood behind large-scale decorative metalwork, marked by semi-abstract petal forms with burnt and brazed edges. They combined variants of their names to create an artful persona - sometimes shortened to C. New Yorkers Freiler and Fels had collaborated for two decades on small jewelry lines before launching a design company called Artisan House in 1964. Together, the two created some of the most striking and vivid furnishings and decorative objects of their era, from sculptures and dynamically framed mirrors, to lighting and wall decorations. Though the name Curtis Jeré is familiar to many as the maker of ebullient and eccentric modern design from the 1960s and ‘70s, relatively few are aware that it is a pseudonym for the design team of Curtis Freiler and Jerry Fels. ![]()
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